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Like many collectors, Keith Glenn caught the bug when he was just a kid. “I collected comics,” he shares. Whenever he could, he would add to his small collection with the allowance his parents gave him. “I’ve always been a neat freak as far as organizing my stuff,” he explains. “My comic books were taken care of, and my room was immaculate and organized. When I went to college, my mom found my comics and she threw them away, which was a bummer because I know I had some high-value ones.” About 30 years ago, Keith started going to a nearby comic store, where he once again began purchasing comic books.
A few years after this, he started collecting Hallmark ornaments, including ones by Disney, Hanna-Barbera, Warner Brothers, Star Wars, and various animations, such as Frosty the Snowman. “I typically bought ornaments that were around a particular theme, and every year we would put them on the tree. My wife was supportive of my hobby and didn’t mind that our ornaments were not very Christmas-related. When the Keepsake Book comes out in April and announces the new ornaments, I’m in there circling the ones I want, and I buy the ones I think will sell out quick. I get them after Christmas [during] the 50% off sale.”
It was around the early 90s that he saw a statue in a comic store which really grabbed his attention, from a company called Bowen Designs. Sculptor Randy Bowen was making 12” tall Marvel comic statues, as well as 6” mini busts of Marvel characters. Keith started collecting these statues, and that’s when the collecting really took off. “I had almost every statue that this company made. I communicated with the sculptor and ended up being a moderator on his website forum. I got to be known throughout the statue-collecting world as, ‘the Hobbit.’ [This was because] my nickname [on the forum] was nbr3bagshotrow, the address of the Gamgee family in The Hobbit – which is my favorite book.”
At first he was buying statues of comic characters, but soon there were companies producing statues of television and movie characters that were between 18” and 24” tall. Other companies eventually branched out and started making DC characters. Another company, Gentle Giant, started making all kinds of highly-detailed Star Wars statues.
Keith’s expansive collection was once displayed in a spare bedroom, but eventually, at his wife’s suggestion, he started to create a “man cave” in his basement. “I enjoy sitting in my recliners in my man cave and watching movies and TV.” Still, his collection continued to grow. When he started running out of room, his wife suggested getting a cabinet and putting it up in the living room. “There are not many women that let this kind of stuff venture outside of the man cave,” Keith says. “These are not your normal decorating items that you put in a living room, but my wife said she was cool with that.” So now, besides the man cave, Keith has a display case in his living room and another in the family room.
Keith’s “pride and joy” is a Calvin and Hobbes statue that he commissioned an artist to make. Calvin and Hobbes is his favorite animation – he owns a book containing every piece that cartoonist Bill Watterson ever drew. “That’s the piece that I would grab in a fire, after saving my dog and my wife.” The reason he had to have this item commissioned – rather than purchasing one already made – is because Bill did not license his work, so you can’t purchase Calvin and Hobbes merchandise in a store.
Other notable items in the collection include a studio-scale replica of the Millennium Falcon from Star Wars (a rare find) and the Starship Enterprise from Star Trek. He has 1/6 scale action figures from a company called Hot Toys. “The wrists, fingers, arms, shoulders, ankles can be placed into all different poses, and sculptors make the head. They look phenomenal.” He has statues and figures of characters from Breaking Bad, The Princess Bride, and Indiana Jones. He also has a John Wayne statue that he purchased years ago. “It reminds me of Sunday mornings when I got up with my dad and watched Westerns.” He also has a lot of statues from the 1966 Batman TV show. “If it grabs my memories, that’s the kind of stuff I tend to pick up.”
This collection also contains pictures and drawings by famous Marvel and DC comic book artists. These high-quality limited edition prints are called giclées. He has diecast cars, including the Ecto-1 from Ghostbusters, the DeLorean from Back to the Future, Speed Racer’s Mach 5, a custom-painted replica of the Batmobile (a gift from his daughter, Teagan) and a few cars from The Munsters. He has a replica of the NSEA Protector from Galaxy Quest.
He also has many books – which includes a collection of the Peanuts cartoons. “This company got all of Charles Schultz’s work, and they put out a new collection every year for four years. It took 13 years to collect all 50 years of the complete Peanuts work. I go back and read them every once in a while.” He has a book called Compendium of Calvin and Hobbes and the complete works of Jerry Larson, creator of The Far Side. He also has the complete works of Don Martin from Mad Magazine. Older comics are often reprinted and put into a collection, and Keith finds that purchasing these collections is a great way to go back and read comics that he’s never read before.
Keith also has statues of Disney villains produced by a company called Sideshow. These include Captain Hook, the Evil Queen, and Maleficent. While it doesn’t take up much of his personal collection, Disney is something that his daughter Adrienne has taken an interest in, so he’s happy to share that experience with her. Adrienne also contributed to the overall collection in another way: she drew a custom art piece of all of the Peanuts characters as superheroes. This unique work is proudly displayed over the sofa in their living room.
Collecting has truly become a family affair for Keith – who still has the collection of coins amassed by his father. Overall, he has around 500 statues, 6,000 or 7,000 comics, and several hundred Hallmark ornaments. He’s quite proud of the unique assortment of items on display in his home, and he loves to share this collection with others. “I always ask people if they want to see my collection when they come by!”

When Paul Braswell first started purchasing art, he was buying posters and having them framed at a local Baltimore frame shop called Expressions. He was buying art for the fun of it, without much knowledge of the art world and without really thinking of his purchases as investments.
All of that changed with a piece he picked up at a festival in Baltimore’s Wyman Park. For about $25, he purchased a work of art titled, “Natural Rhythm” by artist Larry “Poncho” Brown. “I was just buying it because I liked it,” Paul shares. But a coworker – who happened to be an art collector – stopped by his house and noticed the artwork. She pointed out that it could be worth much more than what he paid for it. Paul took the piece to Expressions to have it framed, and the owner of the shop let him know that this artwork was in mint condition and worth about $500. From here, an interest in art collecting was sparked.
Expressions was a family business, operated by a father and son team. Paul went on to develop a friendship with the son, who began to educate him about art. He advised Paul to stop buying posters – which didn’t hold much value – and instead to invest in limited edition art. This would help him create a collection that would grow in value.
In the art world, there are some key terms that are well known. “Open edition” artwork has been reproduced many times and is not signed by the artist. “Limited edition” artwork has a set number of pieces available, and it will not be reproduced again. This makes the art more valuable because it creates a sense of rarity or exclusivity. Each piece in a limited edition set has an authentication number. For example, if the piece is numbered 2/10, that means you have the second print from a run of ten prints. An “artist proof” is a trial print of a limited edition piece. These are used by the artist to approve the image and begin production. Artists used to trash these proofs, but they have become quite valuable and are often sold to collectors. An “original” means that the piece of art is one-off piece or something from the artist’s own hand – making it quite valuable.
Artist Leroy Campbell was the first person that Paul purchased an original from. Paul had a photo album full of pictures of his Leroy Campbell posters and limited editions – which Leroy graciously signed. But Leroy advised that instead of spending money on framing his limited editions, Paul could simply buy an original painting – so he did. This painting was called, “Solid as a Rock,” and Paul paid $500 for it.
Paul was also introduced to the concept of a “Remarque.” If you have been supporting an artist for a period of time, they may add something called a Remarque to your limited edition piece. A Remarque is a small piece of art that appears in the corner or margin of the artwork. It can cause the piece to increase in value, because it is now the only piece from that limited edition run that has that mark on it. For Paul, Leroy Campbell added a Remarque to a work called, “Brush Bone.”
After being educated by Leroy and by “Expressions”, Paul began to buy more originals. Today, he has five originals from an artist named Ricky Steele. At an event at the Baltimore Convention Center, Ricky had a limited edition print of a piece called, “Is the Food Ready?” Paul was taken with this piece and asked if he had the original, which he then purchased for $800. The replacement value of this piece today is $10,500. He would also occasionally would buy artist proofs. His first artist proofs were by artist James Denmark and were purchased two for $90 at a gay pride event at the Convention Center in Washington DC. These pieces, entitled, “Silent Love Story,” and, “Last Week Gossip,” were in mint condition, and were appraised at $3,500 apiece. In total, Paul’s collection is comprised of about 285 pieces that are valued at $214,000.
Paul loves to further his art education, so he attended the African American Art Collectors workshop hosted by the University of Maryland. He received a certificate for completing this program. But it was a workshop hosted by Myrtis Bedolla – who referred to her workshops as “tea parties” – that inspired Paul to document his collection. He began to create a database in Excel, which contained all of the data required in order for the resale value to be determined by a certified appraiser – including detailed descriptions of each piece, as well as the location of that piece in his home.
This thorough documentation served him well when he had to file a claim with Collectibles Insurance Services. In the middle of the night, a vase by pottery artist Carren Clarke – McAdoo hit the floor, which devastated Paul. He filed the claim – and based on his previous experience with insurance companies, he was expecting the process to be a nightmare. After filing his claim, he received just one phone call from Collectibles Insurance, and a few weeks later, a check arrived in the mail. Paul is now a passionate advocate for both documenting and insuring one’s collection – and he loves to provide education on these concepts for his friends in the art world.
Paul is also passionate about the healing power of art. As a registered nurse with 30 years of experience and the recipient of a kidney transplant in 2017, Paul experienced first-hand the ability of art to facilitate healing. In addition to a host of physical and psychological benefits, viewing art releases dopamine in the brain, which has been proven to alleviate depression, lower anxiety, and potentially stimulate physical healing. Paul is the founder of Art, Health, and Healing, a non-profit that aims to start art therapy workshops throughout Maryland, display traveling gallery showcases at local centers, and reach individuals with chronic health conditions.

Nicole Randall’s doll collection started as a relaxing hobby to help take her mind off the stress of medical school. She had always loved Barbie as a young girl, and she had been looking at collector’s dolls on websites and wondering if she should purchase one. $100 seemed like a lot to spend on a doll. “Do I want to spend that on an item that’s just for enjoyment and not useful?” she wondered. At last, she bit the bullet and purchased her first collector doll – a Reem Acra bride doll. When the doll arrived, she was in awe of how beautiful it was. At that moment, she decided to become a doll collector. Today, her collection has grown to over 1,000 dolls.
Nicole caught the collecting bug from her father, who collected Lionel trains and would often take her to train shows. Though she didn’t collect as a child, she always loved Barbie and can still recall her first Barbie doll. Her grandmother was babysitting and asked her what she wanted to do that day. Having recently seen a commercial for the 1986 Ballerina Barbie, Nicole asked if they could go to the toy store and purchase that doll. Though the original doll has long since been sold at a garage sale, Nicole has purchased that same doll to keep in her collection as a reminder of this special memory.
Focused mainly on modern fashion dolls, Nicole’s collection is special for its diversity. She started with Barbie and eventually branched out into other dolls. She discovered a love for dolls made by Robert Tonner – in particular, his collection of Ellowyne dolls, of which she has the complete collection. She also has dolls by a brand called Integrity. They started out as a toy company, but now they focus on collectible dolls. The newest dolls in her collection are called Smart Dolls – they are ball-jointed dolls from Japan, created by Danny Choo. She also has American Girl dolls. “Felicity was always the doll I wanted as a kid,” she shares. While she didn’t get to realize her dream of owning an American Girl doll until adulthood, she did enjoy reading all of the books as a child.
Choosing a favorite doll is difficult, but Nicole’s collector Barbie “Medusa” doll really stands out. “She’s unique and different,” shares Nicole. “Her curly hair is styled like snakes!” This doll is also special because the box is signed by artist Linda Kyaw, who created the doll for Mattel.
The most valuable doll in Nicole’s collection is an Integrity doll called, “Style Mantra Eden.” This doll was purchased on eBay as a treat when she started her first job as a physician. This doll is hard to find, but Nicole was able to purchase her for $2,000 from an Australian seller on eBay. Another valuable doll is the Medusa doll, which originally cost $100 and is now worth around $1,000.
All of Nicole’s collectible dolls are on display in one of the three display rooms in her home. When Nicole moved into her forever home a few years ago, she was thrilled to have a doll area of her own. The displays were custom-made by a carpenter friend. She also owns some play line Barbie dolls, which she opts to store in Rubbermaid containers rather than display.
“Dolls speak to me,” Nicole shares. “I enjoy how beautiful they are and their fashions.” And while many collectors would prefer to leave everything in the packaging, Nicole – who is collecting for her own enjoyment – typically opts to take the dolls out of the boxes and, “set them free!”
For a closer look at Nicole’s collection, you can find her on Instagram.

Baseball has long been considered America’s favorite pastime. This month, excitement and expectations are high as fans return to stadiums across the country for the first time since October 2019. After COVID-19 forced big changes to the 2020 season, the site of spectators filling the stadiums is a welcome one. Stadiums are once again at the forefront of player-fan interaction, as sports fans will have the opportunity to cheer on their teams in person.
America’s pastime is filled with iconic stadiums, some of which we are still fortunate to have today, while others have become little more than a fond memory. Still, others are rising up as part of the changing face of the sport, offering more to do than just watch the game. Let’s take a look at the past, present, and future of America’s baseball stadiums.
The Past – Icons We’ve Lost
For the Golden Age of baseball fans, names like Ebbets Field, the Polo Grounds, and Yankee Stadium bring back a flood of memories. These hallowed grounds were home to some of the greatest moments in baseball history, and they are where many of the legends of the game performed.
The Polo Grounds was the most unique baseball stadium in the history of the game. It was built in 1890 as a polo ground, but it eventually hosted the New York Giants. Notably, the upper deck in right field hung out over the field, making the already-short 279-foot fence of the lower deck easy to overcome by a home run hit 250 feet into the overhanging upper deck. In fact, Bobby Thompson slapped his epic “Shot Heard ‘Round the World” home run into that same lower deck.
Ebbets Field, home to the Brooklyn Dodgers before the team moved to sunny California, was famously built atop a former garbage dump in Brooklyn, and its iconic outer façade is still fondly remembered by fans of the modern game. Ebbets offered fans one of the first truly cozy environments for live viewing, with seating for just 25,000 fans.
Finally, it’s almost impossible to talk hallowed grounds and not mention the original Yankee Stadium. The new Yankee Stadium retained the exterior look, but the original was where countless Yankee greats and MLB Hall of Famers entertained adoring fans. As newer stadiums grow larger, it is unlikely that an intimate stadium with small dimensions, allowing fans to get as close to the game as possible, will ever be built again.
The Present – Baseball’s Living History
Although the Polo Grounds, Ebbets Field, and the original Yankee Stadium have all since been demolished, baseball is not without living history. The oldest stadiums in the game today are home to some of the most rabid fans and oldest franchises in the game.
Wrigley Field, home to the Chicago Cubs, opened in 1914 and is still in use today. The stadium was actually built for the Chicago Whales of the Federal League, but the league folded just one year later, and it became the home of the Cubs instead. Wrigley fans admire the charm of its ivy-covered outfield walls, the manually-operated scoreboard, and the famous neighborhood rooftop seating located just over the outfield stadium walls.
Boston fans consider Fenway Park the queen of all MLB stadiums. Fenway opened in 1912 and remains one of the most unique in the game. Everyone knows about the 36-foot, 2-inch Green Monster looming in the outfield and the incredibly short fence in right field, but others note an odd section of wall in right-center that forms a triangle and is actually 420 feet from home plate.
The Future – What You Can Expect in the Stadium of Tomorrow
What these living legends lack is that modern touch that baseball has increasingly seen in its newest parks. These days, fans expect a little something more than just baseball on the field. For example, the Arizona Diamondbacks and Miami Marlins both have pools with hot tubs in the outfield sections that can be rented for parties.
The future of MLB stadium design is still evolving. Clubs like Arizona and Miami are adding entertainment value beyond the game itself and trying to avoid cancellations and delays. Arizona’s stadium had one of the first retractable roofs in baseball, allowing fans to watch the games in air-conditioned comfort. Miami also boasts a retractable roof, helping fans dodge the damp weather and the club avoid washouts when it rains.
The Texas Rangers debuted Globe Life Field in 2020. The original March opening was rescheduled due to the pandemic, but the first regular-season game was hosted this past July. This stadium features a clear-panel retractable roof and artificial turf instead of natural grass. In a sign of the true future, Globe Life Field does not stand alone in Arlington. Rather, it is part of the Texas Live! Complex, an entertainment destination with a hotel, convention center, outdoor courtyard, retail stores, restaurants, and clubs. Fans can enter directly into the left-field stadium entrance through this entertainment complex.
Of course, stadiums are just one piece of the collective memories that fans hang on to from the national pastime. From collectible baseball cards to bats, balls, and jerseys, baseball has proven to be close to the heart of fans and sports memorabilia collectors across the country. To learn why collectibles insurance is so important to protect these cherished items click here.

Al Sorenson’s collection started about 20 years ago. He and his wife – an antique collector – moved into a home with a finished basement, and he was looking for items to decorate the space with. The first piece he purchased was a baseball autographed by Fergie Jenkins. It wasn’t a super valuable piece, but Al is a Cubs fan, and he displayed this item in its own case. Pretty soon, that one baseball grew into a much larger collection. He then turned to Hall of Fame baseball items, and eventually, he took on new categories and the collection grew into what it is today: a variety of mostly autographed sports, movies, and television memorabilia – plus a few pinball machines.
Al’s favorite aspect of collecting is the thrill of the hunt. For him, it’s not just about the moment when the item gets added to his collection – it’s about the process of finding it. So many of his pieces bring back memories of favorite toys or other items that he had during his childhood. “I just added 25 metal lunch boxes to the collection,” Al shares. He finds himself thinking of things that he and his friends had in school – or toys that his friends had. “Collecting is a way to get some of those things you never had as a kid – or [things that you] did have and would just like to have again.”
It’s hard for Al to choose just one favorite item from the collection. A good friend told him to think about what he would grab first in a fire, and he concluded that it would be his autographed Italian Stallion robe. “I’m a huge Rocky fan!” If he had the time for a second item, he would take a piece of his own artwork that is autographed by Michael Jordan – it’s an item that can’t be replaced.
In total, the collection has around 400 individual items – 95% of which are autographed. “In terms of autographs, I have well over 1,000,” Al shares. This is possible because many of his items carry multiple autographs. “I have some golf items with 20 or 30 signatures.” The value of everything is well over $100,000. The most valuable item is the aforementioned Michael Jordan artwork, which would sell for at least $10,000.
Many of Al’s collectible items are sports-related. He has an autographed pair of gamed-used shoes worn by Bryan Urlacher, the Hall of Fame linebacker from the Chicago Bears. The shoes are from the last playoff game he won as a Bear. He has a 1980 Olympic Hockey Jersey signed by all the players from the gold medal-winning team. He also has a signed Walter Payton jersey, which is another treasured item. “I’ve got a whole case of Hall of Fame autographed baseballs,” Al shares. “People come over and look at that [collection].” He has signatures from the likes of Mickey Mantle, Joe DiMaggio, and Sandy Koufax.
As the collection has grown, Al has branched out into other categories – a big one being movies and television memorabilia. “I used to grow up watching the TV show The Six Million Dollar Man,” Al shares. “Those toys are some of the most popular toys on the planet.” He purchased a 10-inch high action figure in the original box and eventually had it autographed by Lee Majors – the star of the show. “I paid $350, and it’s now worth at least $1,000,” says Al. “I didn’t do it for value, it was just one of my favorite toys as a kid.”
Another prized item in the collection is a replica of the bat phone from the popular show starring Adam West and Burt Ward. The phone is autographed by the stars. “I loved the old Batman TV show growing up,” Al explains. “I knew Adam was cancelling shows, and there was one left called The Hollywood Show. I sent it to the promoter [to have it signed], and it cost me a few hundred bucks. I’m glad I did, because a few weeks later Adam had passed away.”
He has a replica golden ticket signed by the cast of Willy Wonka and the Chocolate Factory – both the kids and Gene Wilder. He also has a cast photo signed by the kids. “The golden ticket alone goes for roughly $1,000 to $2,000. It wasn’t listed properly on eBay, so I got both items for $250. If I sold them now I would get $2,000 for each of them.”
Al’s eclectic collection has something for everyone’s interest, and he likes it that way! “Some people focus on one thing, but I like to have a little bit of everything.” Still, there are a few items remaining on his wish list. “I’d like to get my hands on a Babe Ruth autograph. I may have to sell something to pay for it, but I don’t have the patience to save up,” Al shares. “You’re never finished [collecting], but getting that autograph would be something.” He also wants a Robert Redford autograph from the movie The Natural. “He’s in his upper 80s, and his autograph is expensive, so there’s a premium on that now.” He’d also like to acquire a Mr. T autograph and the autograph of the boxer from Rocky 5, Tommy Gunn. This would complete his collection of gloves signed by each person that Rocky fought.
This incredible collection has seen the limelight before: Al’s been featured on a TV show called Collector’s Call, hosted by Lisa Whelchel (who played Blair on The Facts of Life). The show is headquartered in Chicago, where Al lives, and they stopped by for the day to film and feature his collection.
The collection is on display throughout Al’s home, roughly organized into sections. “My wife has been in retail forever,” Al explains, “and she’s big on having everything organized a certain way. I try to keep the football stuff, the baseball stuff, the racecar stuff, and the television memorabilia together. It’s not perfect, but for the most part each section is its own theme. Everything is in display cases. I try to display it really well so people can enjoy it. I am not one to put things away!”
The biggest issue with the collection now is finding the space for it all. Al doesn’t have room to add any more large items. “I would have to sell something,” he says. But though he does occasionally sell duplicates, he doesn’t like to sell items from his collection. Al doesn’t collect for money or investment, but rather for the enjoyment of it. “I’m a caretaker of history. Collecting is a way to hold on to things from the past and share history with people. It’s a way to educate them about the past. Sometimes I look back and think, ‘Did I actually buy all of these? Did I actually collect all of this stuff? It’s crazy!’”

Like many people, Jim Owens has considered himself a collector since childhood – his earliest collections involving coins and baseball cards. As an adult, he developed an interest in an entirely different type of collection. When building his house in Arizona, the contractor added a pot shelf to the building plan. Inspired to put this to use, Jim began to fill the shelf with historic pottery, and then with prehistoric pottery. This has evolved into an extensive private collection of prehistoric southwestern artifacts, along with a passion for their preservation.
The “prehistoric southwest” primarily deals with the time period before the Spanish began to inhabit the area, or AD 1400 and earlier. Jim’s collection mainly contains items dated between AD 500 and AD 1400, with the exception of baskets – which can be dated earlier. A large part of his collection includes perishable items – things that would disintegrate if subjected to water or sunlight. He also has one set of BC items, which are considered “archaic”.
People groups from the prehistoric southwest include the Anasazi – they were in the four corners region. The Hohokam were in the Southwest – primarily in Arizona and Mexico. The collection also contains many items from Utah, where the main people group was called Fremont. The earlier group that existed in both of those regions are the Basketmakers. “They date from about AD 0 to about AD 1000, depending on the archaeologist you believe.”
This collection is comprised of both purchased and found items. “The problem with the perishable stuff is that sometimes, I just find them in caves or in the corner of a ruined room,” shares Jim. He also finds items at garage sales. Often, a collector might leave a collection to their children, and if they don’t share an interest, the items end up being sold in a yard sale. “After I retired, this really caught my interest. I realized that there were a lot of items in garages and attics that could be lost and needed to be preserved.”
Proper storage is key for keeping these precious finds intact. To preserve his collection, Jim stores them enclosed in glass in a room with radiant heat and windows that are completely covered. “Moisture and sunlight are the enemy,” he shares. The lights in the room are low-heat LED lights, and the glass prevents dust or insects from destroying these items. This collection is further organized into different display cases by themes, which include painted objects, hunting objects, cache pots and cradleboard, footwear and accessories, Fremont items, ceremonial objects, jewelry, Hohokam, Hogup Cave, baskets, and pottery.
What’s interesting about collecting prehistoric southwest items is that many of them are found in private collections. Any items from this time period that are displayed in public museums are subject to an act called NAGPRA, or the Native American Graves Protection and Repatriation Act. This allows Native Americans to go into public museums and universities and repatriate (or take) items. Private collections are not subject to NAGPRA.
Jim’s desire to “share and protect prehistoric southwest items in the private sector” led him to develop a book that serves as a guide to his private collection, so that both the public and professional archaeologists can study it. This book entitled Prehistoric Perishables and Artifacts: From the Attic and Garage, can be previewed or purchased at prehistoricperishables.com.

Among Jim’s favorite items are these four wooden kachinas – the earliest in existence.

This cradleboard was found with the carrying strap, two cotton blankets, diapers, and the framework for a sunshade. It’s the only Hohokam cradleboard known to exist, and it’s incredible that this is such a complete set! This can be dated to AD 1100 – AD 1150.

This wooden atlatl (dart thrower) is part of what Jim believes is the only complete atlatl kit in existence.

This wooden atlatl (dart thrower) is part of what Jim believes is the only complete atlatl kit in existence.

Joe Arciaga has been passionate about comics since he was a child. It all started when he was young and his family was living in Germany because his father – who was in the Air Force – was stationed there. His father would go to the newsstand for a paper and started to pick up GI Joe Comic books for Joe – who already had an interest in reading and in GI Joe toys. From there, a love of comics was born.
As many children do, Joe loved superheroes. When his family moved back to the United States and started living in Chicago, he began to visit actual comic book stores. “To see a whole book store dedicated to [comics] was awesome,” shares Joe. His parents raised him to treat everything with respect, and as a consequence, Joe took great care of his comics. “I didn’t bend the pages and was careful with them.”
The two biggest comic books that Joe collects the most are The Amazing Spider-Man and Uncanny X-Men (the original run). A big thing among comic collectors is the idea of, “completing a run,” or getting all of the issues in a particular series. Joe has collected about 742 issues of Spider-Man – of which there are over 800.
When asked about his favorite comic book, Joe lists several. One is The Incredible Hulk #181, which is also the most valuable item in his collection and contains the first appearance of Wolverine. Then there’s Giant Size X-Men #1 and The New Mutants #98 (which has the first appearance of Deadpool, is graded at 9.8, and is signed by comic book writer Stan Lee). There’s also an issue of the Spider-Man that’s called the “drug issue”. Stan Lee received a letter from a group asking if he would write about drugs in an attempt to highlight the problem and bring awareness. Back then, you couldn’t write without the approval of the Comic Code, but Stan went ahead and published the issue without their approval. Joe had purchased this issue as a kid, and had been hoping for an opportunity to get his copy signed. The same week that he had it ready to send in for signing, Stan Lee passed away. “It’s a story that makes this issue more personally significant,” Joe explains.
Joe’s collection is special to him because of the nostalgia that it evokes. “I would say a little over half of it is what I collected when I was younger. It reminds me of my childhood.” Reading the comics from cover to cover brings a welcome a connection to his past.
As an adult, what got Joe interested in collecting again was something called “variance”.  An artist is commissioned to re-design the cover of a limited run of a comic book, and these editions become rare and sought-after because not as many are getting printed. “The level of art that comes out of comics is really different from when I was a kid,” Joe explains.
Because Joe has been collecting his entire life, it’s difficult to determine the individual value of many of his comics. But overall, his collection is worth around $37,000. He uses an app called “Zap Kapow” to catalogue everything in his collection, which has just over 3,500 pieces. He also takes care to store his collection properly. “I made a big investment when I was younger and bought acid-free storage bags and boxes.” All of this is stored in the basement on an above-ground rack with a dehumidifier. His collection is not organized in any particular way, except that his most valuable issues are all stored in one box – so that he can easily grab them in the event of an emergency.
In addition to collecting comics, Joe has also published an eBook entitled How to Sell and Ship Comics – designed to be a comprehensive guide for sellers. Joe was purchasing an eBook guide on another topic when he realized that he had never seen anything like that for comic books. “There aren’t too many resources to help people with doing this,” Joe shares. “There’s nothing that helps with how to price the comic, assess condition, and how to pack comics – which I think is an art. The mail carrier really doesn’t care about your package. I wanted to put everything in there so that people can have a reference point rather than just trying to piece things together on Google.”
You can find more information about Joe’s book, read his blog, and browse his online store on his website The Archive of Comics.

Steve’s interest in Funko Pops started small. It all began when he walked into a comic store one day and saw a Game of Thrones Funko Pop of John Snow. It caught his attention, so he decided to purchase this one item. Eventually, he decided to purchase all of the Game of Thrones Pops. Soon, he learned that Funko Pops came in every variety you could think of – with characters from the television show Friends among the next that caught his attention. Realizing that this could be a good investment, he started to purchase more Pops – and began trading them so that he could make extra money to buy more.
It started with 80s and 90s movies and television, as well as the sports-themed Pops. As his collection grew, he began acquiring more valuable Pops. He started to put away his collection of lower-end items (which are priced between $15 and $30) and focused on collecting higher end items, which can cost up to $2,000. Now, he is primarily focused on collecting grails. A grail is a term used in the Funko Pop world to describe items that are either expensive or rare – or both. “I pretty much collect every line,” Steve explains. “Funko covers the spectrum of everything. You have to learn about a lot of other stuff in order to collect these – I’m always learning and buying.”
As far as his collection goes, Steve does have his favorites. “My favorite line is the Freddie Funko line – he’s the mascot for Funko. There are [Pops of] Freddie as a variety of characters.” His single favorite Pop is of Manny Pacquiao. “The ones that I have are signed. I have three of Manny Pacquiao. One is the boxer, one is a basketball player, and the 2-Pack. They are all signed by him with JSA Certificate of Authentication.” His collection also includes many rare and highly sought after Pops: the original SDCC metallic Spiderman Pops, headless Ned Stark from Game of Thrones, the original metallic Notorious BIG, low-count Freddie Funko grails, Breaking Bad, Marvel, Star Wars, Disney, and DC. His most valuable Pop is worth around $2,000, with his entire collection valued over $200,000.
This expansive collection is on display in Steve’s “showroom.” He uses IKEA bookshelves to help organize and display everything. “I have an open kitchen and living room, and one of the walls is just a big window. I have two walls full of grails, and I have a bunch of stuff in storage.” Everything is organized by line – there’s a TV line, a rock and anime line, Freddie Funko, movies, Disney, Marvel, Star Wars, and sports.
As his collection grows, Steve is not biased toward any specific line. “I like all Funko Pops and see it as an investment. I also need to have a large collection because I auction them, so there needs to be a nice selection for people to choose from.”
As an auctioneer, Steve raves about an app called Whatnot, which was started by two Silicon Valley guys who had a passion for collectibles. They started by providing a marketplace similar to eBay and Mercari, as well as an authentication service.  Eventually they launched the ability to livestream, and it became a game changer. “I livestream twice a week,” Steve explains. He is able to load items he wants to sell and then host a livestream auction, where he is able to move about $2,000 to $6,000 worth of Funko Pops in a couple of hours. After everything is sold, he receives a file with the list of sales. He is able to group items together (for example, if someone ordered multiple items) and generate and print the shipping labels all at once. Steve feels that Whatnot is an important tool for collectors who wish to rapidly turn a hobby into a career. “An efficient and effective way to succeed in this business is to be able to move inventory efficiently, build a network, and create a brand.”  Whatnot offers all of that, along with lower seller fees and state-of-the-art technology and service.
“The Funko Pop collectible market is something that people can live off of,” says Steve. That said, if you want to invest in Pops, it’s important to learn about them. “As an investor, you never know what’s going to be hot or cold at any time. Pops can go up and down in value.” He notes that it’s important to watch for things like shill bidding – where people will secretly agree to bid on each other’s Pops on eBay to artificially inflate the value. There are also fake Pops being produced. “I have my own YouTube channel,” shares Steve, “so if I come across fake Pops, I buy them and I do a comparison.” Another way to tell what’s real and what’s fake is to join a Facebook group, post a picture, and get feedback. Facebook is also a great place for trading – these trades can eliminate fees from sites such as eBay, and they help build relationships with people.
Investing in collectibles is a great hobby – and it can become a way to make some alternative income. “I am happy because I’m doing what I love. If you really have the passion, you can make a collectibles business into your career. Because you love it, it’s not really work – it’s just what you do. It’s part of your lifestyle.”
A true collector at heart, Steve has also branched out into other collectibles. Recently, he started collecting designer toys called Teq63 by Martian Toys x Quiccs. These are robot-like figures with modern swag that come in three sizes: Mega (12″), Micro (3″), and the standard 6″. Quiccs is an artist from the Philippines, and he recently signed a partnership with Adidas. Steve also has future plans to start collecting Kaws and Bear Bricks – just as soon as he has a larger apartment!

A few years back, we shared the story of a woman with a sparkly, shiny collection of Sailor Moon merchandise. The collection took up an entire four bookcases, and was chock-full of colorful and fun Sailor Moon items.
Fast-forward to today: Sarah Forde’s collection is still going strong, and she’s had the opportunity to share her Sailor Moon love with her young daughter. We were lucky enough to catch up with Sarah to find out what’s new in her collection and in the world of Sailor Moon.
CIS: What’s new in your life since you last shared with CIS?
SARAH: Not much has changed outside of just COVID times. Still collecting, probably at a slower pace these days. It’s a little ironic, since the franchise is releasing more merchandise then they have in my entire time collecting. It’s been an interesting couple of years, because they are cranking out so much stuff, so I’ve had to be more selective.
CIS: Have you acquired any new pieces for your collection since then?
SARAH: While I’ve cut back on general merch purchases, I’m trying to keep up with my favorite types of items. I try to keep up with figures, and I try to keep up with certain versions of the merch that I personally like. Magical items!
CIS: How has motherhood affected your hobby? Has your daughter shown any interest in Sailor Moon?
SARAH: Oh yes – ever since she was little, she’s always really admired the collection. I mean, what kid wouldn’t right? I lucked out, because I got a very careful child. She’s very cautious, so even when she was 3 or 4 years old, I could give her some stuff and say, “Ok, be gentle!” She’s always been very respectful of my things. There are definitely some parents out there who would have to put locks on their [collection]! She loves to play with [the Sailor Moon toys]. She likes watching the show and reading the comic books. It’s been fun!  There are really fun toys to play with – things that light up and make sounds.
CIS: Has anything interesting or notable happened with Sailor Moon in recent years?
SARAH: They started a new animated version of Sailor Moon in 2014 called Sailor Moon Crystal. They are up to the fourth [season] of the story – which is out in Japan right now [as a two-part theatrical release]. One was released in January, and one is coming out in February. They haven’t been released internationally yet.
CIS: What is your favorite item in your collection?
SARAH: It’s so hard to pick – I always tell people that if the house was on fire, I would grab as many of the art books as I could. I also have two original animation cels. That’s super cool because the cartoons used to be animated with physical mediums on paper, and I have some of those original drawings that are framed. It’s one of my favorite parts of my collection. I’d probably try to grab those too.
CIS: Are there any specific items in your collection that you think fans would be interested to hear about?
SARAH: I have a copy of The Infinity Volume, which is an art book that the creator of Sailor Moon, Naoko Takeuchi, self-published. In Japan there’s an event called Comiket where creators sell their self-published works. Naoko sold these books there in 1997. It’s got a lot of art from the people who worked on the anime and from her staff. It’s a really interesting book because it’s not just a selection of some of her work, it’s a lot of messages and notes from people who were involved in the creation of Sailor Moon. It’s an interesting and beautiful item that’s hard to come by. I feel really lucky to own one that’s in really good condition. It would be my collector’s dream to have it someday signed by Naoko herself.
Follow us on Instagram and keep an eye on our stories (and highlights section) for a closer look at this cool Sailor Moon collection – and many others!

An ancient Chinese legend about an eloping couple that is transformed into a pair of doves is told in the pattern of a piece of Blue Willow China, a porcelain pattern that dates back to the 18^th century. Though widely-known for its blue color, this pottery also comes in a variety of shades that include green, pink, and brown. This pattern adorns more than just plates and teacups – according to avid Willow Pattern collector Cheryl Schattall, “We [collect Blue Willow] plates, cookie jars, kitchen utensils, big pots, and different kinds of utilitarian objects.”

Back in the early 1980s, my husband’s aunt gave us a few odd pieces of the Blue Willow,” shares Cheryl. “We didn’t know anything about them.” But in their travels, they would stumble across the Blue Willow pattern in antique stores, and they would purchase the pieces to add to their burgeoning collection. “We love the pattern!” Cheryl declares.
In 2000, Cheryl and her husband went to their first Blue Willow Convention in Dayton, Ohio. There, they met people who had even larger collections than they did – collections of at least 1,000 pieces. When asked how large her collection is, Cheryl replies with certainty that it is comprised of exactly 318 pieces. She is sure because when the stay-at-home order was made for COVID-19, the first thing she did was re-inventory and re-photograph her collection. Photographing her collection has come in handy for sure – at one time, an accident led Cheryl to file a claim with Collectibles Insurance. “I was so happy that we had photos of the different pieces! When we filed our claim I’m sure it made it much easier on the adjuster, and she was able to reimburse us.”
When Cheryl and her husband first began collecting together, they paid some “outrageous” prices for their china. In particular, her husband paid $1,150 for strawberry bowl and stand that he gave her as a birthday gift back in 1999. Today, it’s worth about half that price. Prior to the existence of eBay, the Willow Pattern was often a pricy purchase at an antique store. With eBay, it has become much more accessible, which has dropped the price. This isn’t so bad because it makes collecting more accessible, but Cheryl comments that she may never recoup what she paid for some of the original pieces of her collection.
Cheryl’s collection is on display all over her home in various china cabinets, and it is organized roughly by color. The oldest piece in the collection dates back to the 1890s – it’s a teapot from the original collection given to her by her husband’s aunt. “[Blue Willow] is special because there are so many diverse objects that you can collect. These pieces can come from all different countries…it’s something you can’t get rid of! It was here, it is here, and it’s going to be here [for a long time].”
Cheryl and her husband belong to the International Willow Collectors Organization. Each year the organization hosts a convention in a different city, where they have auctions and sales. At these conventions, Cheryl and her husband accumulate more Blue Willow China.